Don DeLillo: Point Omega


In the middle of a desert "somewhere south of nowhere" to a forlorn house made of metal and clapboard a secret war advisor has gone in search of space and time. Richard Elster, seventy-three, was a scholar, "an outsider" when he was called to a meeting with government war planners. They asked Elster to conceptualize their efforts to form an intellectual framework for their troop deployments – counterinsurgency orders for rendition. For two years he read their classified documents and attended secret meetings. He was to map the reality these men were trying to create. "Bulk and swagger" he called it. At the end of his service Elster retreats to the desert where he is joined by a filmmaker intent on documenting his experience. Jim Finley wants to make a one-take film, Elster its single character. "Just a man against a wall." The two men sit on the deck drinking and talking. Finley makes the case for his film. Weeks go by. And then Elster's daughter Jessie visits an "otherworldly" woman from New York who dramatically alters the dynamic of the story. When a devastating event follows all the men's talk, the accumulated meaning of conversation and connection is thrown into question. What is left is loss, fierce and incomprehensible

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